The digital museum is no longer bound to a specific context, a surrounding topography or a location. It separates itself from the ground through its placement on vertical stilts, which pierce the floors and ceilings from top to bottom. The stacking of multiple amorphous floor plates creates a new topography, which doesn’t reference the existing but rather shapes it anew. Clear spatial separations in form of walls and doors do no longer exist, the floors and ceilings themselves bend and curve to form diffuse and overlapping zones of interest. Space is not concretely defined but flows from one state to another, the experience is continual and switches gradually from the dark and narrow to the light and open. The resulting spaces are simultaneously ephemeral and yet bound to their form giving architecture.